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Tell Tale Signs: The Bootleg Series Vol. 8 (Deluxe) | 
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| Artist: Bob Dylan
Label: Sony
Category: Music
List Price: $169.98
Buy New: $92.18
You Save: $77.80 (46%)
New (23) Used (3) from $86.19
Rating:  114 reviews
Sales Rank: 1716
Format: Box Set
Media: Audio CD
Discs: 3
Shipping Weight (lbs): 3.2
Dimensions (in): 8.8 x 8.4 x 1.8
MPN: 735797
UPC: 886973579725
EAN: 0886973579725
ASIN: B001DFQFEG
Release Date: October 7, 2008
Shipping: Eligible for Super Saver Shipping
Availability: Usually ships in 1-2 business days
Condition: All products brand new and factory sealed.
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| Tracks:
Disc 1
| • | Mississippi 6:04 (Unreleased, Time Out of Mind) | | • | Most of the Time 3:46 (Alternate version, Oh Mercy) | | • | Dignity 2:09 (Piano demo, Oh Mercy) | | • | Someday Baby 5:56 (Alternate version, Modern Times) | | • | Red River Shore 7:36 (Unreleased, Time Out of Mind) | | • | Tell Ol' Bill 5:31 (Alternate version, North Country soundtrack) | | • | Born in Time 4:10 (Unreleased, Oh Mercy) | | • | Can't Wait 5:45 (Alternate version, Time Out of Mind) | | • | Everything is Broken 3:27 (Alternate version, Oh Mercy) | | • | Dreamin' of You 6:23 (Unreleased, Time Out Of Mind) | | • | Huck's Tune 4:09 (From Lucky You soundtrack) | | • | Marchin' to the City 6:36 (Unreleased, Time Out of Mind) | | • | High Water (For Charley Patton) 6:40 (Live, August 23, 2003, Niagara Falls, Ontario, Canada) |
Disc 2
| • | Mississippi 6:24 (Unreleased version #2, Time Out of Mind) | | • | 32-20 Blues 4:22 (Unreleased, World Gone Wrong) | | • | Series of Dreams 6:27 (Unreleased, Oh Mercy) | | • | God Knows 3:12 (Unreleased, Oh Mercy) | | • | Can't Escape from You 5:22 (Unreleased, December 2005) | | • | Dignity 5:25 (Unreleased, Oh Mercy) | | • | Ring Them Bells 4:59 (Live at The Supper Club, November 17, 1993, New York, NY) | | • | Cocaine Blues 5:30 (Live, August 24, 1997, Vienna, VA) | | • | Ain't Talkin' 6:13 (Alternate version, Modern Times) | | • | The Girl on the Greenbriar Shore 2:51 (Live, June 30, 1992,Dunkerque, France) | | • | Lonesome Day Blues 7:37 (Live, February 1, 2002, Sunrise, FL) | | • | Miss the Mississippi 3:20 (Unreleased, 1992) | | • | The Lonesome River 3:04 (With Ralph Stanley, from the album Clinch Mountain Country) | | • | 'Cross the Green Mountain 8:15 (From Gods and Generals Soundtrack) |
Disc 3
| • | Duncan & Brady 3:47 (Unreleased, 1992) | | • | Cold Irons Bound 5:57 (Live at Bonnaroo, 2004) | | • | Mississippi 6:24 (Unreleased version #3, Time Out of Mind) | | • | Most of the Time 5:10 (Alternate version #2, Oh Mercy) | | • | Ring Them Bells 3:18 (Alternate version, Oh Mercy) | | • | Things Have Changed 5:32 (Live, June 15, 2000, Portland, OR) | | • | Red River Shore 7:08 (Unreleased version #2, Time Out of Mind) | | • | Born in Time 4:19 (Unreleased version #2, Oh Mercy) | | • | Tryin' to Get to Heaven 5:10 (Live, October 5, 2000, London, England) | | • | Marchin' to the City 3:39 (Unreleased version #2, Time Out of Mind) | | • | Can't Wait 7:24 (Alternate version #2, Time Out of Mind) | | • | Mary and the Soldier 4:23 (Unreleased, World Gone Wrong) |
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Product Description
For the first time ever, this is the only book that shows all of the 7-inch covers spanning Bob Dylan's career, taken from a fan's personal collection.
Includes:
* two-CD set with 27 songs
* exclusive bonus CD with 12 extra tracks
* 150-page, 8" x 8" hardcover book of Bob's singles artwork (see video)
* 60-page booklet with rare photos, essay, credits.
All packaged in a hardcover solid slipcase.
Album Description
Three CD set Deluxe Edition, softpack 2008 release of Vol. 8 Tell Tale Signs The Bootleg series on Bob Dylan with rare and unleashed material from 1989 - 2006. A treasure-trove of 27 songs spanning two discs, Tell Tale Signs features previously unreleased recordings and alternate versions of tracks from sessions which generated some of Bob Dylan's most acclaimed and commercially successful albums from the last two decades, including Time Out Of Mind, 'Love And Theft', Modern Times and Oh Mercy. Special deluxe package features a bonus third disc with 12 extra audio tracks, a 150 page hardcover book of singles artwork spanning his entire career, a 60-page booklet, packaged in a specially designed hardcover solid slipcase.
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| Customer Reviews: Read 109 more reviews...
"How About We Play It in B Flat..." December 3, 2008
wm (...onward....thru the fog!)
Before launching into a totally reworked, and great version of "Can't wait" from "Time out of mind", Dylan says "How About We Play It in B Flat...".
With those eight words, he reveals a lot about how he, and a precious few other musicians, keep reinventing their own songs.
For those of us who first began attending concerts during the age of psychedelics, a favorite musician or group's live show could be a real revelation, not to mention tremendously exciting, when the musician(s) would play rearranged versions of their songs. Many in the audience waited with eager anticipation and hope that something unexpected, unrehearsed, or spontaneous might occur on stage, and when it did, the concert would become a transformative experience instead of simply a live performance that mostly adhered to the album versions of the songs.
It seems as time has passed, even some of the musicians and bands who were once more willing to experiment and be spontaneous have become less inclined to do so, and in many instances, have lost all spontaneity.
Some musicians take less musical risks because it's easier for them not to, others do it, let's face it, because of money: Their (probably mostly accurate) perception that most of their fans prefer to hear the songs played note for note the way the studio (and radio) versions sound.
Thankfully, Bob Dylan, Jim White, Robyn Hitchcock, Beck, along with former members of the Grateful Dead (just to name a few of the ones who come to my mind) still have that spirit of experimentation and improvisation with their own and others' songs, whether played live, or as bootlegs and alternate releases. The alternate versions of Beatles songs that were released in the 90s are examples of the biggest rock band on the planet not being afraid to reinterpret their own songs. Interestingly, but not surprisingly, Paul McCartney pretty much sticks to the studio versions of Beatles songs live.
Back to Dylan, the music on Vol. 8 spans from 1989's "Oh Mercy" through 2006's "Modern Times". Most of the records he released during that timeframe are every bit as strong as, and stronger in some instances, than any of the so called "classic" Dylan releases from the 60s and 70s.
Over the years, the album versions of these songs have become familiar, yet never tiring. Hearing radically revised versions of the songs is unsettling for many people (Dylan fans not likely included), but these new versions reawaken that spirit of reinvention and spontaneity.
Maybe it's analagous to the feeling you get when you step into that room in your house that you just remodeled and had it repainted just the way you wanted. You've always loved the house, and always will, but it's even more enjoyable to experience it in that new light.
 Dylan's Tell Tale Signs December 2, 2008
Lindsay E. Frost (Louisville, KY United States)
I have not heard all of Bob Dylan's recordings, but this one has to be his best yet. The maturity in his voice, his intonations and deep felt emotions. I can't decide whether I like Vol.I or Vol.II the best.
If this is Bob in his 60's, look out 70's.
Must have for Dylan fans December 1, 2008
baramarie
This is a really great addition to the Bootleg series..all songs are from his more recent albums and there is, in some instances,more than one version of the original. I can listen to "Mississippi" practically all day, and now I have 3 versions of it.
Dylan's new songs seem adapted to his "new" voice...just perfect.
The Bottomless Well of Genius November 30, 2008
Jeremy Shatan (New York, NY USA)
Bob Dylan's "also-rans" reach the heights of most artist's best work. This collection also makes you realize that there may be no definitive version of a Dylan song. The two versions of Mississippi included here are ample proof of that. While some may quibble that the "rockabilly" take on Dignity trivializes the song somewhat, it is still interesting to hear him attempt it. His band has perfected an elegant take on the blues that is very rich, while being blistering on the live takes. Overall, the variety here is dazzling. This set also makes clear that he has been doing some of his best work for movies lately. 'Cross The Green Mountain, written for "Gods and Generals", immediately ascends to the top 20 Dylan songs - ever. If you think you know Dylan, check this out and be amazed. If you're waiting with bated breath for his next album (as I am) buy this now for some instant gratification.
The best outtakes of his life and that says it all.Thank you Bob November 30, 2008
Eric Harder (Denmark)
0 out of 1 found this review helpful
It is so fantastick that one man can make the best music that has ever been writen in the history of music.Thanks again Bob.And if you have the time please send us all a new brilliant CD.Eric
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